FAQs

FX2

Why is 4K60p only available in Super 35 mode?

Most professional cinematographers prefer to shoot at 24p or 25p in full-frame for a more cinematic look. However, 4K60p is offered in Super 35 mode for several practical and creative reasons:

• Support for S35 lenses: You can use Super 35 cinema lenses without cropping or resolution loss.
• Extended focal length: Super 35 mode offers a natural crop, effectively extending focal length—useful for wildlife, sports, or tighter framing.
• Compared to FX3/FX6: FX2 offers true 4K Super 35 recording, which is an advantage over some other models.

Additionally, 4K DCI recording with true 24p is supported in full-frame mode.

What is the advantage of 4K30p full-frame recording compared to FX3/FX6?

The FX2 uses 7K oversampling to produce sharper and more detailed 4K30p footage than the FX3 or FX6. This results in cleaner images with finer texture and better overall clarity.

How can rolling shutter distortion be improved?

Rolling shutter effects can be significantly reduced in post-production:

• Sony Catalyst software provides built-in rolling shutter correction tools.
• Third-party software solutions are also available for more advanced workflows.

Additionally, the FX2’s dual base ISO helps maintain cleaner images and better dynamic range in challenging lighting situations, minimizing motion artifacts in low light.

How does the FX2 perform in low-light situations?

The FX2 offers excellent low-light capabilities, with an ISO range up to 204,800, just one stop below the FX3. This ensures detailed and clean images even in challenging lighting conditions.

While the FX3 and FX6 have slightly better low-light performance, their dual base ISOs (800 / 12,800) can be less flexible in some situations—12,800 may be too high, requiring ND filters. The FX2’s 800 / 4,000 base ISOs provide a more usable range for many filmmakers, especially when transitioning between lighting environments.

Is there internal RAW recording?

The FX2 does not offer internal RAW recording, but here’s why that’s often not a limitation:

• Sony’s XAVC (S/HS) codec delivers outstanding image quality that meets the needs of most professional productions
• More efficient than RAW, reducing file sizes and improving workflow speed
• For projects requiring RAW, 16-bit HDMI output enables external recording in 12-bit Apple ProRes RAW with a compatible third-party recorder

Does the FX2 support Open Gate?

The FX2 focuses on efficiency rather than Open Gate recording. Here’s why:

• Standard 4K recording is sufficient to create both horizontal and vertical content for social media
• Open Gate on many devices limits frame rate and may reduce stabilization support
• For hybrid content delivery (e.g., 9:16 and 16:9 from one shot), it’s often more efficient to use Sony’s Framing Stabilizer in post

Is it possible to use USB for external recording?

No, and for good reason:

• USB recording lacks backup functionality, which is not acceptable in professional workflows
• The FX2 uses dual card slots for simultaneous backup or continuous relay recording
• Avoids having external drives and cables hanging off the camera—keeping your setup compact, lightweight, and reliable

There’s no integrated waveform, false color, or certain de-squeeze options—why?

While the FX2 doesn’t offer these tools internally, all of them—and more—are available via the Sony Monitor & Control app. This extends functionality wirelessly and offers a modern solution for monitoring and exposure tools.

What is the purpose of the ND filter setting in the BIG6 menu?

This setting is stored in the metadata and can be used during post-production with Sony Catalyst software or plugins. It helps maintain consistency across shots and supports more efficient grading workflows.

What is the advantage of using S-Log in still shooting mode?

S-Log allows you to apply the same color grading and look used in your video footage to your stills. This creates a consistent visual style—ideal for location scouting, thumbnails, or promotional material—especially in hybrid photo/video workflows.

Why do Sony cameras use Sony codecs instead of ProRes?

Sony cameras use the XAVC codec, which is a modern and highly efficient format available in multiple variants:

• Intra / Long GOP
• H.264 / H.265
• MP4 / MXF containers

Key advantages:

• Broad NLE compatibility
• Optimized performance: Sony develops both the hardware and software, ensuring better processing efficiency and longer battery life than some third-party codecs
• While some high-end cinema cameras support ProRes, XAVC is typically more efficient and better suited for most professional workflows